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For my MPhil dissertation, I investigated how the scientific instrument trade could be characterised based on the “advertised trades” of instrument makers across the nineteenth century in Scotland. This information was extracted from the SIMON database, and I am incredibly grateful to the Tools of Knowledge project team that allowed me to have access to this data.

SIMON contains records of over 10,000 instrument makers in the UK from the 16th to the 20th century, and many of these records have an “advertised trade”, which the database curator (Gloria Clifton) believed best represented the work of a given maker. Further information stored for each maker include the dates they were active in the trade, their location and any recognised instruments they have produced.

The number of Advertised Trades are massive, and so I classified all the values in for Manchester, Edinburgh and Glasgow into 21 broader categories. An example category is `Medical' which features the advertised trades: surgical instrument seller, pharmacist and druggist.

Below is a summary of some main findings from the categorised trade method for each of the three chosen locations (Manchester, Edinburgh, Glasgow).

Figure 1: A key for the graphs that follow

Figure 1: A key for the graphs that follow

Manchester

Figure 2: Proportions of makers by categories of advertised trade, Manchester, 1800-1900

Figure 2: Proportions of makers by categories of advertised trade, Manchester, 1800-1900

Figure 3: Proportions of makers by categories of advertised trade, Edinburgh, 1800-1900

Figure 3: Proportions of makers by categories of advertised trade, Edinburgh, 1800-1900

Edinburgh

Glasgow

Figure 4: Proportions of makers by categories of advertised trade, Glasgow, 1800-1900

Figure 4: Proportions of makers by categories of advertised trade, Glasgow, 1800-1900

Additional work including assessing how the instrument makers combined trade across different categories, and how the popularity of certain advertised trades within the broader categories changed over time periods.

I’m in the process of developing these methods to apply them to other major centres of instrument making across the industrial revolution.